That's right, I'm a BAND KID! (And after 3 years somehow I still suck at the trombone) But band is fun, so I made an animation about random ahh stuff that happens during the cult pretending to be and extracurricular activity. By the way the audio quality is bad, so turn the volume. :) Also, you may watch this and be like: "wAiT, i'M a TrUmPeT pLaYeR aNd I dOn'T hAvE 3.1 braincells!!!" And to that I say, you're right, you probably have less :D If you are perchance a random ahh flute player that I possibly am zesty besties with, please know that while I made this I heard your voice in my mind saying: "tHaT's NoT hOw YoU hOLd ThE fLuTe." And I was like: "I literally dont care. It's 1am." So sorry that the flutes animated wrong. :P BUT ANYWYASASSASAS I WORKED REALLY HARD ON THIS SO PLEASE LIKE AND FAVE "bRoChAcHo, cAn yOu StOp PLaYiNg So bAdLy????"
The dog, the backdrop, and the Saxophone, Trumpet, Snare, and Bass icons came from Scratch, but the rest of the art is mine! All code by me! Voices of Trumpets, trombones, percussion and Bass-Me! Voices of clarinet and saxophones-my brother!(he plays clarinet and saxophone) Outro music- Jenny/8675309 by Tommy Tutone (A marching band staple at my old school) And now, the moment you've all been waiting for... The entire WikiPedia page on Hot Cross Buns!!!! Hot Cross Buns was an English street cry, later perpetuated as a nursery rhyme and an aid in musical education. It refers to the spiced English confection known as a hot cross bun, which is associated with the end of Lent and is eaten on Good Friday in various countries. The song has the Roud Folk Song Index number of 13029. The most common modern version is quoted as Hot cross buns! Hot cross buns! One a penny, two a penny, Hot cross buns! If you have no daughters, Give them to your sons. One a penny, two a penny, Hot cross buns! Variants The rhyme as it appears in an 1860s book of Nursery rhymes printed in London During the 18th century there was no standard version of the rhyme, which was sung on Good Friday to accompany the selling of the buns. The London street cry, for example, is recorded in Poor Robin's Almanack for 1733, which noted: Good Friday comes this month, the old woman runs, With one a penny, two a penny, hot cross buns, Whose virtue is, if you believe what's said, They'll not grow mouldy like the common bread. The last line refers to the belief that addition of dough kneaded for the host on Good Friday gave it such powers. A different version of the cry was collected by Iona and Peter Opie in their compilation of 19th century children's booklets: 'Tis Good Friday morning, the little boy runs, Along with his sister, to buy hot cross buns; Her apron is full, yet her brother, the elf, Unsatisfied still, must buy one for himself. The words closest to the rhyme that has survived were printed as a round in the London Chronicle for 2–4 June 1767. One a penny, two a penny, hot cross-buns; If you've no daughters, give them to your sons; And if you've no kind of pretty little elves, Why then good faith, e'en eat them all yourselves. Two contemporary composers are credited with writing music for this: as a catch by Samuel Webbe, and as a glee by Luffman Atterbury. James Orchard Halliwell later recorded a similar rhyme in his The Nursery Rhymes of England (London 1846) with the final line changed to "You cannot do better than to eat them yourselves". Yet another street cry was recorded by Halliwell in his dialect dictionary as common in Coventry on Good Friday: One a penny, two a penny, hot cross buns, Butter them and sugar them and put them in your muns (i.e. mouths) A further, different cry was later recorded by Iona Opie: Hot cross buns, hot cross buns; One a penny poker, Two a penny tongs, Three a penny fire shovel, Hot cross buns. After the street cry had made the transition to nursery use, it was also commonly used in music classes and schools for young children trying to master a new instrument, continuing as such to this day. "one a penny two a penny hot cross buns"
